Showing posts with label paintings. Show all posts
Showing posts with label paintings. Show all posts

Thursday, July 22, 2010

Treguna, Makoidees, Trecorum, Sadis Dee

When I was little, my brothers and I use to drag our parents to the armor room.



Now, apart from some hints of nostalgia and fond memories of Bed-knobs and Broomsticks, it's petty dull.


The same goes for Bed-knobs and Broomsticks if you were wondering.

Actually, one of my favorite areas recently got re-done.



I liked it better before - plus some foliage, minus a 'cafe' - but I will admit this lady looks much nicer in the sun.



I suppose two years living abroad ruined the awe of the Japanese 'garden' for me. Now I'm more interested how the ancients were also taking lessons from 'How to Draw' books.




I seem to have also become an admirer of fashion in the classics.




The expressions in this one are almost as extravagant as the costumes.



While he is looking rather chic in his crimson robes and lace gown, this fellow caught me eye as the inspiration for one of my favorite Bacon paintings.





And in case you were curious, the cats here are far superior to the ones found at the MoMA.



And now you know where Walt Disney got the idea...


Tuesday, February 23, 2010

Once Upon a Pair of Wheels

I love having a car in the city. Means I'm not restricted to the subway, can avoid walking in the snow and, once in a while, play chauffeur/PA to Richard O'Connor of Asterisk Animation.

For example, last Friday Richard and cameraman, Ben Shapiro needed a lift to New Haven. Specifically to the Yale campus to interview Helen A. Cooper and get some first-hand footage of Thomas Eakins' watercolor "John Biglin in a Single Scull".


While they headed up to the conference room to set up the cameras and prep for the interview, I was given the task of parking the car. When I finally got back, the painting had already been unveiled. Somehow, this in no way mitigated the feeling of seeing such a work for the first time in person.



When I was younger, I was obsessed with Salvador Dali. Not so much his philosophy (I feel he was more a salesman then an artist) but his technique. The tiniest brush strokes for the most minuet details.

When I was introduced to Eakins in college, it was as though I had truly matured as an appreciator of the arts. Here was an artist and a scientist, two of my favorite subjects wrapped up in one.


There are few experiences in my life I can liken to those several hours spent at Yale and it's all thanks to a couple of talented folks and one Ford Focus in need of an oil change.